VAZ LEMES VILLA LOBOS

by LAMI

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1.	Heitor Villa-Lobos - Bachianas Brasileiras n.4 - Prelúdio 03:16	info	buy track
2.	Heitor Villa-Lobos - Bachianas Brasileiras n.4 - Choral 05:01	info	buy track
3.	Heitor Villa-Lobos - Bachianas Brasileiras n.4 - Ária 05:01	info	buy track
4.	Heitor Villa-Lobos - Bachianas Brasileiras n.4 - Dansa 03:37	info	buy track
5.	Heitor Villa-Lobos - Cirandinha n.6 - Cae-Cae Balão 02:37	info	buy track
6.	Heitor Villa-Lobos - Ciranda n.9 - Fui no Tororó 02:29	info	buy track
7.	Heitor Villa-Lobos - Cirandinha n.9 - Carneirinho, Carneirão 02:21	info	buy track
8.	Heitor Villa-Lobos - Ciranda n.15 - Que Lindos Olhos! 04:17	info	buy track
9.	Heitor Villa-Lobos - Cirandinha n.1 - Zangou-se o Cravo com a Rosa? 01:37	info	buy track
10.	Heitor Villa-Lobos - Ciranda n.6 - Passa, Passa, Gavião! 01:26	info	buy track
11.	Heitor Villa-Lobos - Saudades das Selvas Brasileiras n.1 02:04	info	buy track
12.	Heitor Villa-Lobos - Saudades das Selvas Brasileiras n.2 03:15	info	buy track
13.	Heitor Villa-Lobos - Samba Clássico 04:42	info	buy track

about

VAZ LEMES VILLA LOBOS

[English Below]

Ainda criança meu primeiro contato com a obra de Villa Lobos foi pela peça “Uma, Duas, Angolinhas’’. Lembro-me do meu encantamento pelo Villa, por combinar ritmicamente as duas mãos de maneira tão divertida. Lembro-me de permanecer exercitando estas combinações rítmicas fora do piano, enquanto fazia qualquer outra coisa.

Mais tarde veio o Prelúdio das Bachianas Brasileiras n.4, que aprendi quando estudava no Conservatório de Tatuí, tempos em que vivi no interior de São Paulo morando com meus pais. O álbum tem muito deste imaginário sobre quintais e parlendas na escolha das Cirandas e Cirandinhas. Caipira e moderno.

As Saudades das Selvas Brasileiras chegaram em tempos de Universidade, já em contato com Gilberto Tinetti, que me apresentou este delicioso díptico sobre o imaginário da natureza Brasileira. Cantos de pássaros imaginários, de ventos, trens e tribos.

E o ciclo completo das Bachianas Brasileiras n.4 chegou por último. Tive o privilégio de trabalha-las com o mesmo Gilberto Tinetti, que por sua vez trabalhou com o próprio Villa Lobos em Paris... Assim, não poderia me sentir mais próximo do compositor!

Antonio Vaz Lemes

_______________[ENGLISH]

As a child, my first contact with the work of Villa-Lobos was through the work “Uma, Duas, Angolinhas”. I remember being fascinated by Villa Lobos, for the fun way in which he rhythmically combined both hands. I remember practicing these rhythmic combinations outside the piano, while doing something else.

Later came the "Prelúdio das Bachianas Brasileiras n.4", which I learned when I was studying at the Tatuí Conservatory, during the period I lived in the countryside of São Paulo with my parents. This album has a lot of this imagery about backyards and children's stories in the choice of Cirandas and Cirandinhas. Provincial and modern.

"Saudades das Selvas Brasileiras" arrived during my university days, already in contact with pianist Gilberto Tinetti, who introduced me to this delicious diptych on the imagination of Brazilian nature. Songs of imaginary birds, of winds, trains and tribes.

The complete cycle of "Bachianas Brasileiras n.4" came later. Again. I had the privilege of working with Gilberto Tinetti, who in turn worked with Villa Lobos himself in Paris... So, I couldn't feel closer to the composer!

Antonio Vaz Lemes

credits

released October 12, 2022

Antonio Vaz Lemes: Piano
Production: Antonio Vaz Lemes
Recording direction: Eduardo Monteiro
Recording: Pedro Paulo Kohlerdos Santos
Studio: Estúdio LAMI/USP
Master: Daniel Tápia/Estúdio ARSIS
Cover: Felipe Mendes
Photo: André Moreira
Piano: Steinway&Sons Modelo D, Hamburgo
Bonus Track: Verónica Valenttino – Voice

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LAMI São Paulo, Brazil

O LAMI é um projeto vinculado ao Departamento de Música da Universidade de São Paulo voltado para a difusão da produção de música brasileira.

www2.eca.usp.br

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